Type | Title | Subtitle | Creator | Created |
Text
|
" A letter by Hannah Arendt to gershom Scholem"
|
|
writers
|
1963-07-24
|
Text
|
" A letter by Hannah Arendt to Gershom Scholem"
|
|
writers
|
1963-07-24
|
Text
|
"Appearing and common sense"
|
|
writers
|
1971
|
Text
|
"Appearing and plurality"
|
|
writers
|
1971
|
Image
|
"Hannah Arendt around 1925
|
|
writers
|
1925
|
Image
|
"Hannah Arendt in 1996"
|
|
photographers
|
1966
|
Text
|
[American Committee for the Defense of Leon Trotsky]
|
|
Wheelwright, John
|
date unknown
|
Image
|
[Bryher & Robert Herring]
|
|
unidentified
|
date unknown
|
Text
|
[Bryher to H. D., On Macpherson and the Scottsboro Boys]
|
|
Bryher (Winifred Ellerman)
|
date unknown
|
Text
|
[Dorothea tanning speacks about Leonor Fini
|
|
Tanning, Dorothea
|
2001
|
Text
|
[Dorothea Tanning speacks about Leonora Carrington]
|
|
Tanning, Dorothea
|
2001
|
Text
|
[Flying career and list of crimes]
|
|
Untermeyer, Louis
|
date unknown
|
Text
|
[Freewoman Subscriptions]
|
|
unidentified
|
date unknown
|
Text
|
[from Asphyxiante culture]
|
|
Dubuffet, Jean
|
1968
|
Text
|
[from Ezra Pound and Margaret Cravens. A Tragic Friendship 1910-1912]
|
|
Pound, Ezra
|
1988
|
Text
|
[From Networking Women: A Research Project and a Proposal for an Analysis of Culture]
|
|
Camboni, Marina
|
2002-03-25
|
Text
|
[H. D. to Muriel Rukeyser]
|
|
|
date unknown
|
Text
|
[H. D. to Muriel]
|
|
H. D. (Hilda Doolittle)
|
date unknown
|
Text
|
[Handwritten Review of Zangwill's The Melting Pot by Margaret Storm Jameson]
|
|
Storm Jameson, Margaret
|
date unknown
|
Text
|
[Herring to Rukeyser]
|
|
Herring, Robert
|
date unknown
|
Text
|
[Horace Gregory to Muriel Rukeyser]
|
|
Gregory, Horace
|
date unknown
|
Text
|
[John Wheelwright to Muriel Rukeyser]
|
|
Wheelwright, John
|
date unknown
|
Image
|
[Leonor Fini dressed like a dark angel in Venice]
|
|
Ostier, André
|
date unknown
|
Image
|
[Leonor Fini in her studio]
|
|
Ostier, André
|
date unknown
|
Image
|
[Leonor Fini in the Corsican monastery]
|
|
Overstreet, Richard
|
date unknown
|
Image
|
[Leonor Fini near the sea]
|
|
Overstreet, Richard
|
date unknown
|
Image
|
[Leonor Fini with a black mantle]
|
|
Overstreet, Richard
|
date unknown
|
Text
|
[Leonora Carrington speacks about Frida Kahlo]
|
|
Carrington, Leonora
|
date unknown
|
Text
|
[Leonora Carrington speacks about Remedios Varo]
|
|
Carrington, Leonora
|
date unknown
|
Text
|
[Leonora Carrington speacks about surrealist artists]
|
|
Carrington, Leonora
|
date unknown
|
Physical Object
|
[Margaret Cravens' Tomb]
|
|
Hoggath, Ruth
|
2000
|
Text
|
[On Floyd Dell and Women as World Builders]
|
|
Camboni, Marina
|
2003
|
Image
|
[Portrait of May Sinclair]
|
|
unidentified
|
date unknown
|
Text
|
[Sam was strictly kosher]
|
|
Gregory, Horace
|
|
Text
|
[Suffragist Art of Ritual]
|
|
Holtby, Winifred
|
1935
|
Text
|
[Suffragist Violence]
|
|
Woolf, Virginia
|
1938
|
Text
|
[The Penal Reform League on the Cat and Mouse Act]
|
|
|
date unknown
|
Text
|
[The Woman Problem]
|
|
name list
|
1969
|
Text
|
[Typewritten and Handwritten list]
|
|
|
date unknown
|
Text
|
[U.S. Subscribers to The Egoist]
|
|
|
date unknown
|
Text
|
A Brave and Beautiful Spirit: Dora Marsden. 1882-1960
|
|
|
|
Text
|
A Bulfinch Press Book,
|
|
writers
|
1998
|
Text
|
A Romaine Brooks sur son Portrait Peint Par Elle-Meme
|
|
D'Annunzio, Gabriele
|
unknown
|
|
A Tribute to Amy Ashwood Garvey
|
Her Birthday
|
|
|
Text
|
A Wake For Mother : The Maternal Deathbed in Women’s Fiction
|
|
|
|
Text
|
A War Interlude 104-107
|
|
Brooks, Romaine
|
1944
|
Text
|
A War Interlude 109-112
|
|
Brooks, Romaine
|
1944
|
Text
|
A War Interlude 112-114
|
|
Brooks, Romaine
|
1944
|
Text
|
A War Interlude 126-129
|
|
Brooks, Romaine
|
1944
|
Text
|
A War Interlude 133-134
|
|
Brooks, Romaine
|
1944
|
Text
|
A War Interlude 134-137
|
|
Brooks, Romaine
|
1944
|
Text
|
A War Interlude 137-138
|
|
Brooks, Romaine
|
1944
|
Text
|
A War Interlude 51-52
|
|
Brooks, Romaine
|
1943
|
Text
|
A War Interlude 61
|
|
Brooks, Romaine
|
1944
|
Text
|
A War Interlude 63-64
|
|
Brooks, Romaine
|
1944
|
Text
|
A War Interlude 99-100
|
|
Brooks, Romaine
|
1944
|
Text
|
Actes et Entr'Actes
|
|
Barney, Natalie Clifford
|
date unknown
|
Text
|
Afterword
|
|
Lorusso, Edward N.S.
|
1987
|
Text
|
An Index to The Little Review.1914-1929
|
|
|
|
Text
|
An Inner Feminism
|
|
Marsden, Dora
|
|
Text
|
Anarchia, arte e necessità della vita in due riviste americane di primo Novecento
|
|
|
2000
|
Text
|
André Breton Carnet critique n° 2-3 dec 1917-jan 1918
|
|
Breton, André
|
1917
|
Image
|
Anita Pittoni e Wanda Wulz
|
|
|
date unknown
|
Image
|
Anita Pittoni indossa un abito di ispirazione futurista creato da Marcello Claris
|
|
|
date unknown
|
Text
|
Anita Pittoni, straccetti d'arte, stoffe di arredamento e moda d'eccezione
|
|
|
|
Image
|
Apollinaire et ses amis
|
|
Laurencin, Marie
|
1909
|
Image
|
Arlequine à la guitare
|
|
Laurencin, Marie
|
1920
|
Text
|
Art Nouveau in Fin-de-Siècle France
|
|
|
1989
|
Text
|
Arts I
|
|
Laurencin, Marie
|
1952
|
Text
|
Arts II
|
|
Laurencin, Marie
|
1952
|
Text
|
At Fourteen Years
|
|
Olsen, Tillie
|
1926-27
|
Image
|
Azalées Blanches
|
|
Brooks, Romaine
|
1910
|
Text
|
Before the Vote Was Won: Arguments for and Against Women
|
|
|
1987
|
Text
|
Better Red.The Writing and Resistance of Tillie Olsen and Meridel LeSueur
|
|
|
|
Text
|
Beyond Imagining. Margaret Anderson and The Little Review
|
|
|
1992
|
Text
|
Bianco rosa e verde. Scrittrici a Trieste fra '800 e '900
|
|
|
|
Dataset
|
By Popular Demand
|
Votes for Women Suffrage Pictures, 1850-1920
|
Library of Congress
|
1998
|
Text
|
Carnets inédits
|
|
Mare, André
|
1924
|
Text
|
Carrière de Germaine Dulac - GD 4305, 4306, 4307
|
|
Dulac, Germaine
|
unknown
|
Image
|
CataLOGUE RAISONNE DE L'OEUVRE GRAVE DE MARIE LAURENCIN
|
|
|
|
Text
|
CataLOGUE RAISONNE DE L'OEUVRE GRAVE DE MARIE LAURENCIN
|
|
|
|
Text
|
Chez Marie Laurencin, L'art vivant 1 fév 1925
|
|
unidentified
|
1925
|
Text
|
Chronicle of Youth
|
|
|
|
Text
|
Close Up's Regest 1927-1933
|
|
|
2002
|
Text
|
Collected Poems of John Wheelwright
|
|
|
|
Text
|
Conferencia
|
|
Laurencin, Marie
|
1934
|
Text
|
Connecting Links: The British and American Woman Suffrage Movements, 1900-1914
|
|
|
2000
|
Text
|
Continuous Performance
|
|
|
|
Text
|
Continuous performance. Dialogue in Dixie,
|
|
|
|
Text
|
Continuous performance. The film gone male.
|
|
|
|
Text
|
Contradictory (W)omens? — Gender Consciousness in the Poetry of Una Marson
|
|
|
|
Text
|
Correspondence with Hartley
|
|
Stein, Gertrude
|
date unknown
|
Text
|
correspondence with Stieglitz
|
|
Stein, Gertrude
|
date unknown
|
Text
|
Crusaders
|
|
|
|
Text
|
Dear Tiny Heart. The Letters of Jane Heap and Florence Reynolds
|
|
|
|
Image
|
Delia Benco
|
|
|
date unknown
|
Text
|
De-Riddling Tillie Olsen's Writings
|
|
|
|
Image
|
Diane à la chasse
|
|
Laurencin, Marie
|
1908
|
Physical Object
|
Diane Arbus, Autoritratto, 1945
|
|
photographers
|
1945
|
Image
|
Dora Marsden
|
|
unidentified
|
date unknown
|
Text
|
Dora Marsden and Early Modernism: Gender, Individualism, Science
|
|
Clarke, Bruce
|
1996
|
Text
|
Dora Marsden, Ezra Pound, H.D. and The Art of the Future
|
|
Camboni, Marina
|
1999
|
Text
|
Dora Marsden, Ezra Pound, H.D. and 'The Art of the Future': Part II
|
|
Camboni, Marina
|
2000
|
Text
|
Du sentiment à la ligne - GD 13??
|
|
Dulac, Germaine
|
unknown
|
Image
|
Experimental cinema: ANNOUNCEMENT
|
|
painters
|
1930
|
Image
|
Femme à la guitare
|
|
Laurencin, Marie
|
1940
|
Image
|
First cover experimental cinema.
|
|
painters
|
1930
|
Text
|
Five Faces of Modernity. Modernism Avant-Garde Decadence Kitsch Postmodernism
|
|
|
|
Image
|
Fleurs et colombes. Etude pour un tapis
|
|
Laurencin, Marie
|
1935
|
Collection
|
Fonds Germaine Dulac
|
|
unidentified
|
unknown
|
Text
|
Forbidden Fires
|
|
|
|
Image
|
France Croisée
|
|
Brooks, Romaine
|
1914
|
Text
|
From Pensées d'une Amazone
|
|
Barney, Natalie Clifford
|
1920
|
Text
|
Germaine Dulac, qu'une activité débordante… - GD 4317 - 4318
|
|
Dulac, Germaine
|
unknown
|
Image
|
Gigliola Sacerdoti Mariani's Living Mirror
|
|
|
2002
|
Image
|
Giuseppina Martinuzzi
|
|
|
date unknown
|
Collection
|
Grete Stern, Sogno, n.42, 1949 cm 30x24, Collezione Jorge Helt, Buenos Aires
|
|
writers
|
1949
|
Collection
|
Hanna Höch, Collages, Pientures, aquarelles, guaches, dessins
|
|
writers
|
1976
|
Physical Object
|
Hanna Höch, Self Portrait with Crack, 1930 c
|
|
writers
|
1930
|
Text
|
Hannah Arendt – Karl Jaspers Originale Briefwechsel 1926-1969
|
|
anti-nazism
|
1989
|
Text
|
Hannah Arendt – Karl Jaspers Originale Briefwechsel 1926-1969 ed It. Hannah Arendt-Karl Jespers Carteggio Feltrinelli Milano 1989
|
|
anti-nazism
|
1989
|
Collection
|
Hannah Höch, Tagliato con un coltello da cucina
|
|
writers
|
1919
|
Text
|
Honourable Estate
|
|
Brittain, Vera
|
1936
|
Text
|
How can people help cinema? Bryher's answer.
|
|
Bryher (Winifred Ellerman)
|
1928
|
Text
|
I Hear Men Talking and Other Stories
|
|
|
|
Image
|
Ida Rubinstein
|
|
Brooks, Romaine
|
1917
|
Text
|
Independent Women: Work and Community for Single Women, 1850-1920
|
|
|
|
Text
|
Institutions of Modernism. Literary Elites & Public Culture
|
|
|
|
Image
|
Interior of temple
|
|
unidentified
|
unknown
|
Text
|
Interview to Hannah Arendt by Gunter Gaus for the german tv
|
|
abstracting journal
|
1964
|
Text
|
Interview to Hannah Arendt by Gunter Gaus for the german tv.
|
|
writers
|
1964-10
|
Text
|
Introduzione alla cultura visuale
|
|
writers
|
1999
|
Image
|
Jean Royère
|
|
Laurencin, Marie
|
1908
|
Image
|
Jeunes femmes à la guitare
|
|
Laurencin, Marie
|
1928
|
Image
|
Joan of Arc by Dreyer
|
|
Dreyer, Carl Theodore
|
1928
|
Text
|
Käthe Kollwitz
|
|
Rukeyser, Muriel
|
date unknown
|
Image
|
La femme-cheval 'Mon portrait en peintre avec une main qui tient le pinceau'
|
|
Laurencin, Marie
|
1918
|
Image
|
La prisonnière
|
|
Laurencin, Marie
|
1917
|
Image
|
La vie au chateau
|
|
Laurencin, Marie
|
1925
|
Text
|
Labor & Desire. Women's Revolutionary Fiction in Depression America
|
|
|
|
Text
|
Ladies of the Rope. Gurdjieff’s Special Left Bank Women’s Group
|
|
|
|
Text
|
Lady Hawarden, Isabella, Grace e Clementina Maude( 1860 c.ca), Lady Hawarden
|
|
writers
|
1860
|
Image
|
Le bal élégant ou La danse à la campagne
|
|
Laurencin, Marie
|
1913
|
Text
|
Le Carnet des Nuits
|
|
Laurencin, Marie
|
1942
|
Text
|
Le carnet des nuits I
|
|
Laurencin, Marie
|
1942
|
Text
|
Le carnet des nuits II
|
|
Laurencin, Marie
|
1942
|
Image
|
Le cheval noir ou La promenade
|
|
Laurencin, Marie
|
1924
|
Image
|
Le poéte en exile
|
|
Brooks, Romaine
|
1912
|
Text
|
Le Salon des Indépendants
|
|
Apollinaire, Guillaume
|
1908
|
Image
|
Le Trajet
|
|
Brooks, Romaine
|
1911
|
Text
|
Les Marges
|
|
|
|
Image
|
Les acrobates ou Femmes de cirque
|
|
Laurencin, Marie
|
1927
|
Image
|
Les deux soeurs au violoncelle
|
|
Laurencin, Marie
|
1913
|
Text
|
Les Peintres Cubistes
|
|
Apollinaire, Guillaume
|
1913
|
Image
|
Les trois grâces
|
|
Laurencin, Marie
|
1921
|
Text
|
letter to 'The Times'
|
|
|
date unknown
|
Image
|
L'éventail
|
|
Laurencin, Marie
|
1911
|
Image
|
L'infante. Cecilia de Madrazo
|
|
Laurencin, Marie
|
1915
|
Text
|
Links on Dora Marsden
|
|
Camboni, Marina
|
2002-01-07
|
Text
|
Literary Women: The Great Writers
|
|
|
1977
|
Physical Object
|
Lotte Jacobi, Autoritratto, Berlino 1930 a.
|
|
painters
|
1930
|
Text
|
Love Poem Mss
|
|
Barney, Natalie Clifford
|
date unknown
|
Image
|
Madame André Groult, neé Nicole Poiret
|
|
Laurencin, Marie
|
1913
|
Text
|
MARCH has 31 days
|
|
Barnes, Djuna
|
1928
|
Text
|
Marie Laurencin
|
|
Groult, Flora
|
1987
|
Text
|
Marie Laurencin - Catalogue Raisonne De L'Oeuvre Grave
|
|
Marchesseau, Daniel
|
1986
|
Text
|
Marie-Nicole
|
|
Groult, André
|
1916
|
Image
|
Mary Gawthorpe
|
|
|
date unknown
|
Image
|
Mata Hari
|
|
unidentified
|
unknown
|
Text
|
May Sinclair: A Modern Victorian
|
|
|
|
Text
|
Men and Monuments: Profiles of Picasso, Matisse, Braque, and Malraux
|
|
Flanner, Janet
|
1947
|
Image
|
Musique
|
|
Laurencin, Marie
|
1944
|
Text
|
My Thirty Years War
|
|
Anderson, Margaret C.
|
|
Image
|
Natalie and Romaine
|
|
unidentified
|
1915
|
Image
|
Natalie and Romaine 1915
|
|
unidentified
|
1915
|
Image
|
Natalie and the Temple à l'Amitié
|
|
unidentified
|
unknown
|
Image
|
Natalie Barney, nude study
|
|
unidentified
|
unknown
|
Image
|
Natalie in front of the Temple of Friendship
|
|
unidentified
|
1925
|
Image
|
Natalie_and_Laura_Barney
|
|
unidentified
|
unknown
|
Text
|
New Woman Poets and the Culture of the salon at the fin de siècle
|
|
|
1999
|
Text
|
New York
|
|
Barnes, Djuna
|
1989
|
Image
|
Nils von Dardel
|
|
Laurencin, Marie
|
1913
|
Text
|
Nina Hamnett 1890-1956
|
|
Collins, Judith
|
1989
|
Text
|
No pleasant memories
|
|
Brooks, Romaine
|
date unknown
|
Text
|
North Star Country
|
|
|
|
Text
|
Not You I Weep For
|
|
|
1931
|
Image
|
Nymph and shepherdess
|
|
unidentified
|
unknown
|
Text
|
Oiseaux
|
|
Groult, Nicole
|
1915
|
Image
|
Orio & Marchand
|
[Donne in Bici]
|
Villa, Aleardo
|
1900
|
Image
|
Pablo Picasso. Etude pour 'Picasso et ses amis' ou 'Réunion à la Campagne'
|
|
Laurencin, Marie
|
1909
|
Text
|
Peace and Bread in Time of War
|
|
Addams, Jane
|
1945
|
Image
|
Peter, A Young English Girl
|
|
Brooks, Romaine
|
1923
|
Image
|
Portrait
|
|
photograph album
|
2004
|
Image
|
Portrait de Germaine Dulac - GD 4429
|
|
unidentified
|
unknown
|
Text
|
Préface de la première exposition personnelle de Marie Laurencin - Galerie Barbazanges, Paris 1912
|
|
Fleuret, Fernand
|
1912
|
Text
|
Protest and Possibility in the Writing of Tillie Olsen
|
|
|
|
Text
|
Published in Paris: A Literary Chronicle of Paris in the 1920s and 1930s
|
|
|
1975
|
Text
|
Radical Representations : politics and form in U.S. proletarian fiction, 1929-1941
|
|
|
|
Image
|
Rebecca West
|
|
|
date unknown
|
Image
|
Renée_Vivien
|
|
Brooks, Romaine
|
unknown
|
Text
|
Repercussions
|
|
Barney, Natalie Clifford
|
1920
|
Text
|
Requa
|
|
|
|
Image
|
Réunion à la campagne
|
|
Laurencin, Marie
|
1909
|
Text
|
Rich and Strange: Gender, History, Modernism
|
|
|
1991
|
Text
|
Ripening
|
|
|
|
Text
|
Rise Up, Women: The Militant Campaign of the Women’s Social and Political Union, 1903-1914
|
|
|
|
Text
|
Robert Burns – 180th anniversary
|
|
Carswell, Catherine Mcfarlane
|
2004
|
Party/Person
|
Robert Herring and Bryher
|
|
|
date unknown
|
Image
|
Romaine and D'Annunzio
|
|
Emmanuel, Léon-Marie
|
1915
|
Image
|
Romaine and Natalie 1936
|
|
unidentified
|
1936
|
Image
|
Romaine and Natalie in Florence 1945
|
|
unidentified
|
1945
|
Image
|
Romaine as a lady of fashion
|
|
Emmanuel, Philippe
|
1908
|
Image
|
Romaine at Villa Cercola
|
|
Emmanuel, Léon-Marie
|
1923
|
Text
|
Romaine Brooks - Thief of Souls
|
|
Breeskin, Adelyn Dohme
|
1986
|
Image
|
Romaine Brooks at the piano
|
|
unidentified
|
1910
|
Image
|
Romaine on Capri
|
|
Emmanuel, Léon-Marie
|
1899
|
Image
|
Rue Masseran
|
|
unidentified
|
1950
|
Image
|
Salon de l'Amazon
|
|
unidentified
|
1929
|
Text
|
Salute to Spring
|
|
|
|
Text
|
Secrest_315-316
|
|
Secrest, Meryle
|
1974
|
Text
|
Self-conscious feminism
|
|
Marsden, Dora
|
|
Text
|
Sentimental Subversion: The Poetics and Politics of Devotion in the Work of Una Marson
|
|
|
|
Dataset
|
Setting the Modern Stage: Provincetown Players
|
|
Barrow, Garry
|
2002
|
Dataset
|
Setting the Modern Stage: Provincetown Players
|
|
Daigle, Bradley J.
|
2002
|
Dataset
|
Setting the Modern Stage: Provincetown Players
|
|
Daniels, Valerie
|
2002
|
Dataset
|
Setting the Modern Stage: Provincetown Players
|
|
Hrabe, Margaret Downs
|
2002
|
Text
|
Shoulder to Shoulder
|
|
|
|
Text
|
Silences
|
|
|
|
Text
|
'Something Ancestral Recaptured': Spirit Possession as Trope in Selected Feminist Fictions of the African Diaspora
|
|
|
|
Text
|
Subversive Intent. Gender Politics, and the Avant-Garde
|
|
|
|
Text
|
Summer Will Show
|
|
Townsend Warner, Sylvia
|
1936
|
Image
|
Tell Me A Riddle
|
|
|
|
Text
|
Tell Me A Riddle
|
|
|
|
Text
|
Tell Me A Riddle
|
|
|
|
Text
|
Testament of Friendship
|
|
|
|
Text
|
Testament of Youth
|
|
|
|
Text
|
The Amazon and the Page; Natalie Clifford Barney and Renée Vivien
|
|
Jay, Karla
|
1988
|
Text
|
The Amazon of Letters
|
|
|
|
Text
|
The Amazon of Letters-104
|
|
Wickes, George
|
1976
|
Text
|
The Amazon of Letters-132
|
|
Germain, André
|
unknown
|
Text
|
The Amazon of Letters-146
|
|
Brooks, Romaine
|
unknown
|
Text
|
The Amazon of Letters-147
|
|
Secrest, Meryle
|
unknown
|
Text
|
The Amazon of Letters-152
|
|
Wickes, George
|
1976
|
Text
|
The Amazon of Letters-153
|
|
Wickes, George
|
1976
|
Text
|
The Amazon of Letters-157-158
|
|
Berenson, Bernard
|
1917-18
|
Text
|
The Amazon of Letters-159-160
|
|
Pound, Ezra
|
unknown
|
Text
|
The Amazon of Letters-161
|
|
Barney, Natalie Clifford
|
1922
|
Text
|
The Amazon of Letters-162
|
|
Barney, Natalie Clifford
|
1923
|
Text
|
The Amazon of Letters-165-166
|
|
Barney, Natalie Clifford
|
1926
|
Text
|
The Amazon of Letters-167
|
|
Wickes, George
|
1976
|
Text
|
The Amazon of Letters-168-169
|
|
Barney, Natalie Clifford
|
unknown
|
Text
|
The Amazon of Letters-174
|
|
Radclyffe Hall (Marguerite Radclyffe Hall)
|
unknown
|
Text
|
The Amazon of Letters-175-176
|
|
Radclyffe Hall (Marguerite Radclyffe Hall)
|
unknown
|
Text
|
The Amazon of Letters-177
|
|
Radclyffe Hall (Marguerite Radclyffe Hall)
|
unknown
|
Text
|
The Amazon of Letters-47
|
|
Wickes, George
|
1976
|
Text
|
The Amazon of Letters-51-52
|
|
Wickes, George
|
1976
|
Text
|
The Amazon of Letters-58
|
|
Wickes, George
|
1976
|
Text
|
The Amazon of Letters-90-91
|
|
Colette (Gabrielle Sidonie)
|
unknown
|
Text
|
The Anarchist (M)other: (C)overt networks and discursive sites for an itinerant magazine, The Little Review
|
|
|
1999
|
Text
|
The British Women's Suffrage Campaign, 1866-1928
|
|
|
1998
|
Text
|
The Cause: A Short History of the Women’s Movement in Great Britain
|
|
unidentified
|
1923
|
Text
|
The Critical Response to Tillie Olsen
|
|
|
|
Text
|
The Defence of Culture
|
|
Gide, André
|
|
Text
|
The Fiery Fountains
|
|
|
|
Text
|
The Future of Modernism
|
|
|
|
Text
|
The Girl
|
|
|
|
Text
|
The House on Jefferson Street. A Cycle of Memories.
|
|
Gregory, Horace
|
|
Image
|
The Kiss
|
|
unidentified
|
unknown
|
Image
|
The lady and her page
|
|
unidentified
|
unknown
|
Text
|
The Letters of Ezra Pound to Margaret Anderson: The Little Review Correspondence
|
|
|
|
Text
|
The Little Review Anthology
|
|
Anderson, Margaret C.
|
|
Text
|
The New Age. An Independent Socialist Review of Politics, Literature & Art
|
|
|
|
Text
|
The new cinema
|
|
Platt, David
|
1930
|
Text
|
The New Freewoman Thousand Club
|
|
|
|
Image
|
The nymph alone
|
|
Barney, Natalie Clifford
|
unknown
|
Text
|
The One Who Is Legion
|
|
Barney, Natalie Clifford
|
1930
|
Text
|
The Originality of the Avant-Garde and Other Modernist Myths
|
|
|
|
Text
|
The Public Face of Modernism
|
|
|
|
Text
|
The reconfigured Eye, Cambridge, Mit Press.
|
|
writers
|
1999
|
Text
|
The Revolutionary Imagination. The Poetry and Politics of John Wheelwright and Sherry Mangan
|
|
|
|
Text
|
The Spectacle of Women: Imagery of the Suffrage Campaign, 1907-1914
|
|
|
1988
|
Text
|
The Strange Necessity. The Autobiography: resolutions and reminiscences to 1969 by the legendary Editor of “The Little Review”
|
|
|
|
Text
|
The Struggle for Women's Rights: Theoretical and Historical Sources
|
|
|
1998
|
Text
|
The Suffrage Movement
|
|
Pankhurst, Sylvia
|
1931
|
Text
|
The Suffrage Reader: Charting Directions in British Suffrage History
|
|
|
2000
|
Text
|
The Thinking Reed
|
|
West, Rebecca
|
1936
|
Text
|
The Turning Point: Thirty-five Years in This Century. The Autobiography of Klaus Mann.
|
|
Mann, Klaus
|
|
Text
|
The Unknowable Gurdjieff
|
|
|
|
Text
|
The Women's Suffrage Movement in Britain, 1866-1928
|
|
|
1999
|
Text
|
The Women's Suffrage Movement: New Feminist Perspectives
|
|
|
1998
|
Image
|
Theatre
|
|
Fini, Leonor
|
date unknown
|
Image
|
Three Graces
|
|
Barney, Natalie Clifford
|
unknown
|
Text
|
Tillie Olsen
|
|
|
|
Text
|
Tillie Olsen
|
|
|
|
Text
|
Tillie Olsen and a Feminist Spiritual Vision
|
|
|
|
Text
|
Tillie Olsen. A Study of the Short Fiction
|
|
|
|
Text
|
Time and Tide Wait for No Man
|
|
|
|
Text
|
Titolo originale Le photographique, 1990, ed. Macula, Paris
|
|
writers
|
1996
|
Text
|
To Romaine Brooks's painting of France at war
|
|
D'Annunzio, Gabriele
|
1915
|
Text
|
To the georgian poetess Romaine Brooks peace
|
|
D'Annunzio, Gabriele
|
1914
|
Image
|
Trois jeunes filles et chevaux
|
|
Laurencin, Marie
|
1925
|
Image
|
Turksib by Victor Turin
|
|
painters
|
1929
|
Text
|
Una Marson: Black Nationalist and Feminist Writer
|
|
|
1986
|
Text
|
Uscendo dal cinema
|
|
writers
|
1975
|
Text
|
Vera Brittain : a feminist life
|
|
|
|
Text
|
Vera Brittain : a life
|
|
|
|
Text
|
Vera Brittain and Winifred Holtby : a working partnership
|
|
|
|
Image
|
Villa Cercola
|
|
Emmanuel, Léon-Marie
|
1920
|
Text
|
Viscountess Rhondda : equalitarian feminist
|
|
|
|
Text
|
We Sing Our Struggle : a Tribute For Us All For Meridel Le Sueur
|
|
|
|
Image
|
willy dias
|
|
|
date unknown
|
Text
|
Windows on Modernism. Selected Letters of Dorothy Richardson.
|
|
Richardson, Dorothy
|
|
Text
|
Women and Scottsboro
|
|
Rukeyser, Muriel
|
date unknown
|
Text
|
Women Editing Modernism
|
Little Magazines and Literary History
|
unidentified
|
1995
|
Text
|
Women seeing women, A pictorial History of Women’s Photography, from Julia Margaret Cameron to Inez van Lamsveerde
|
|
Cameroon
|
2002
|
Text
|
Women_artist_101
|
|
Stein, Gertrude
|
1937
|
Text
|
Women_artist_165_1
|
|
Elliott, Bridgett
|
1994
|
Text
|
Women_artist_165_2
|
|
Elliott, Bridgett
|
1994
|
Text
|
Women_artist_49
|
|
Elliott, Bridgett
|
1994
|
Text
|
Women_artist_54
|
|
Barney, Natalie Clifford
|
1920
|
Party/Organization
|
Women’s Social and Political Union
|
|
unidentified
|
2001
|
Text
|
Wordmaps for Chaos: A New Geographism
|
|
|
|
Text
|
Yonnondio: From the Thirties
|
|
Olsen, Tillie
|
1932
|
Text
|
Zur Kritik der Weiblichkeit by Rosa Mayreder
|
|
|
|