ID: 8955  -  Gigliola Sacerdoti Mariani  -  Firenze
Type: Image
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Medium: PhotographExtent:
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Title: Gigliola Sacerdoti Mariani's Living MirrorSubtitle:
Alternative:
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Role: Name:
Created: 2002
Date: in/on:
Language: English
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Description: A graphic image of Rukeyser’s personal connections and immaterial relations.
Subjects: Places
Subjects: Places
Subjects: Places
Subjects: Places
Subjects: Places
Subjects: Places
Subjects: Places
Subjects: Places
Subjects: Places
Subjects: Identity
Subjects: Identity
Subjects: Identity
Subjects: Identity
Subjects: Identity
Subjects: Exchanges
Subjects: Exchanges
Subjects: Exchanges
Subjects: War
Subjects: Wo/Men
Subjects: Wo/Men
Subjects: Wo/Men
Subjects: Wo/Men
Subjects: Wo/Men
Subjects: Wo/Men
Subjects: Wo/Men
Subjects: Wo/Men
Subjects: Wo/Men
Subjects: Wo/Men
Subjects: Wo/Men
Keywords: American Prefaces
Keywords: American Prefaces
Keywords: Barcelona
Keywords: Housatonic
Keywords: Life and Letters To-day
Keywords: London
Keywords: New Masses
Keywords: New York City
Keywords: Partisan Review, The
Keywords: poetry
Keywords: fascism
Keywords: modern
Keywords: Modernism
Keywords: Nazism
Keywords: revolutionary
Keywords: literature
Keywords: magazines
Keywords: painting
Keywords: Spain
Keywords: Bishop, Elizabeth
Keywords: Bryher (Winifred Ellerman)
Keywords: Eliot, Thomas Stearns
Keywords: Gregory, Horace
Keywords: Pound, Ezra
Keywords: Richardson, Dorothy
Keywords: Rukeyser, Muriel
Keywords: Williams, William Carlos
Keywords: Zaturenska, Marya
Keywords: H. D. (Hilda Doolittle)
Keywords: Herring, Robert

Query Subject+Keyword: (Places, Barcelona)
Query Subject+Keyword: (Places, Housatonic)
Query Subject+Keyword: (Places, Life and Letters To-day)
Query Subject+Keyword: (Places, London)
Query Subject+Keyword: (Places, New Masses)
Query Subject+Keyword: (Places, New York City)
Query Subject+Keyword: (Places, Partisan Review, The)
Query Subject+Keyword: (Places, poetry)
Query Subject+Keyword: (Identity, fascism)
Query Subject+Keyword: (Identity, modern)
Query Subject+Keyword: (Identity, Modernism)
Query Subject+Keyword: (Identity, Nazism)
Query Subject+Keyword: (Identity, revolutionary)
Query Subject+Keyword: (Exchanges, literature)
Query Subject+Keyword: (Exchanges, magazines)
Query Subject+Keyword: (Exchanges, painting)
Query Subject+Keyword: (War, Spain)
Query Subject+Keyword: (Wo/Men, Bishop, Elizabeth)
Query Subject+Keyword: (Wo/Men, Bryher (Winifred Ellerman))
Query Subject+Keyword: (Wo/Men, Eliot, Thomas Stearns)
Query Subject+Keyword: (Wo/Men, Gregory, Horace)
Query Subject+Keyword: (Wo/Men, Pound, Ezra)
Query Subject+Keyword: (Wo/Men, Richardson, Dorothy)
Query Subject+Keyword: (Wo/Men, Rukeyser, Muriel)
Query Subject+Keyword: (Wo/Men, Williams, William Carlos)
Query Subject+Keyword: (Wo/Men, Zaturenska, Marya)
Query Subject+Keyword: (Wo/Men, H. D. (Hilda Doolittle))
Query Subject+Keyword: (Wo/Men, Herring, Robert)
Comment: “If only I could draw, I would copy (and magnify) Le Miroir Vivant that Magritte painted in 1928 in order to make the reader enjoy the colorful and significant clusters of relations that come out through the cross-lacing of the shattered fragments that belonged to Muriel Rukeyser. I would substitute the terms that Magritte uses in his oil on canvas, and I would first “enter” Housatonic in one of his jagged white/yellow clouds, New Masses in another, and then Poetry, and modern/modernism, and leftist, and revolutionary, and Bryher, and the Spanish War, and Elizabeth Bishop, and Horace Gregory, and Marya Zaturenska, and American Prefaces, and H. D., Robert Herring, Ezra Pound, Klaus Mann, and William C. Williams. I would place fascism and nazism together in one of his black clouds” (From G. Sacerdoti Mariani’s essay, «Those men and women / Brave, setting up signals across vast distances»).