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ID: 8990 - Francesca De Ruggieri - Bari
Type: Text | |
| Format: |
| Medium: Citation | Extent: |
Identifier:
Source: |
| Title: Greta Garbo in Pabst's Joyless Street | Subtitle: |
| Alternative: |
Agents:
Creator: |
| Role: Author | Name: H. D. (Hilda Doolittle) |
| Created: |
| Date: Issued | in/on: 1927 |
| Language: English | |
| Rights: |
| Relation: IsPartOf | Qualifier: H.D., An Appreciation, in Close Up, I,1, 1927 |
| Coverage: |
| Place: | Time: 1927 |
| Description: citation about Greta Garbo in Joyless Stree (see scheda 687) |
Subjects: Arti/Facts
Subjects: Wo/Men
Subjects: Wo/Men
Subjects: Wo/Men | Keywords: cinema
Keywords: Garbo, Greta (Greta Luisa Gustafsson)
Keywords: H. D. (Hilda Doolittle)
Keywords: Pabst, Georg Wilhelm | Query Subject+Keyword: (Arti/Facts, cinema)
Query Subject+Keyword: (Wo/Men, Garbo, Greta (Greta Luisa Gustafsson))
Query Subject+Keyword: (Wo/Men, H. D. (Hilda Doolittle))
Query Subject+Keyword: (Wo/Men, Pabst, Georg Wilhelm) |
| Comment: H.D. writes that Greta Garbo, in a little house dress, an apron and low slippers, sweeping the passage of the improvident home in Joyless Street, remained an aristocrat. Greta Garbo, as the wife of a russian Court official and the mistress of a man of the world, diademed and in sweeping robes in the Palace of Karenin, was a house-maid at a carnival.Greta Garbo remains Greta Garbo. […] Anyhow for the present, let us be thankful that she, momentarily at least, touched the screen with her purity and glamour. The screen has been touched by beauty, and the screen, in spite of all the totems, must finally respond, Polyphemus of our latest day, to the mermaid enchantment. |
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