Type | Title | Subtitle | Creator | Created |
Image
|
"Hannah Arendt in 1996"
|
|
photographers
|
1966
|
Image
|
[Anita Pittoni indossa l'abito lungo a righe]
|
|
Pittoni, Anita
|
1939
|
Text
|
[Bryher to H. D., On Macpherson and the Scottsboro Boys]
|
|
Bryher (Winifred Ellerman)
|
date unknown
|
Text
|
[Bryher to H.D.; On Nazi Germany, 1931-1933]
|
|
Bryher (Winifred Ellerman)
|
1932
|
Text
|
[Bryher to H.D.; On Nazi Germany, 1931-1933]
|
|
Bryher (Winifred Ellerman)
|
1933
|
Text
|
[Call for Contributions for Negro]
|
|
|
1931
|
Image
|
[Cover of Negro Anthology]
|
|
|
|
Text
|
[Editorial - Life and Letters To-day, Autumn 1936]
|
|
Herring, Robert
|
|
Text
|
[Editorial - Life and Letters To-day, Autumn 1936]
|
|
Townshend, Petrie
|
|
Text
|
[Editorial - Life and Letters To-day, Autumn 1937]
|
|
Herring, Robert
|
1937
|
Text
|
[Editorial - Life and Letters To-day, December 1935]
|
|
Herring, Robert
|
|
Text
|
[Editorial - Life and Letters To-day, December 1935]
|
|
Townshend, Petrie
|
|
Text
|
[Editorial - Life and Letters To-day, September 1935]
|
|
Herring, Robert
|
|
Text
|
[Editorial - Life and Letters To-day, September 1935]
|
|
Townshend, Petrie
|
|
Text
|
[Editorial - Life and Letters To-day, September 1938]
|
|
Herring, Robert
|
|
Text
|
[Editorial - Life and Letters To-day, Spring 1936]
|
|
Herring, Robert
|
|
Text
|
[Editorial - Life and Letters To-day, Spring 1936]
|
|
Townshend, Petrie
|
|
Text
|
[Editorial - Life and Letters To-day, Spring 1937]
|
|
Herring, Robert
|
|
Text
|
[Editorial - Life and Letters To-day, Spring 1937]
|
|
Townshend, Petrie
|
|
Text
|
[Editorial - Life and Letters To-day, Spring 1938]
|
|
Herring, Robert
|
|
Text
|
[Editorial - Life and Letters To-day, Summer 1936]
|
|
Herring, Robert
|
|
Text
|
[Editorial - Life and Letters To-day, Summer 1936]
|
|
Townshend, Petrie
|
|
Text
|
[Editorial - Life and Letters To-day, Summer 1937]
|
|
Herring, Robert
|
|
Text
|
[Editorial - Life and Letters To-day, Summer 1937]
|
|
Townshend, Petrie
|
|
Text
|
[Editorial - Life and Letters To-day, Summer 1938]
|
|
Herring, Robert
|
|
Text
|
[Editorial - Life and Letters To-day, Winter 1936]
|
|
Herring, Robert
|
|
Text
|
[Editorial - Life and Letters To-day, Winter 1936]
|
|
Townshend, Petrie
|
|
Text
|
[Editorial - Life and Letters To-day, Winter 1937]
|
|
Herring, Robert
|
|
Text
|
[From Networking Women: A Research Project and a Proposal for an Analysis of Culture]
|
|
Camboni, Marina
|
2002-03-25
|
Text
|
[from Time and Tide; Rebecca West on Christabel Pankhurst]
|
|
West, Rebecca
|
1926
|
Text
|
[from Time and Tide; Rebecca West on Mary Gawthorpe]
|
|
West, Rebecca
|
1926
|
Text
|
[from Time and Tide; Rebecca West on Rona Robinson]
|
|
West, Rebecca
|
1926
|
Text
|
[from Time and Tide; Rebecca West on Stephen Swift Publishers]
|
|
West, Rebecca
|
1926
|
Text
|
[from Time and Tide; Rebecca West on The Egoist]
|
|
West, Rebecca
|
1926
|
Text
|
[from Time and Tide; Rebecca West on the Feminist Movement]
|
|
West, Rebecca
|
1926
|
Text
|
[from Time and Tide; Rebecca West on The Freewoman]
|
|
West, Rebecca
|
1926
|
Text
|
[from Women as World Builders; Dora Marsden on Motherhood]
|
|
Marsden, Dora
|
1913
|
Text
|
[from Women as World Builders; Floyd Dell on Dora Marsden]
|
|
Dell, Floyd
|
1913
|
Text
|
[Handwritten Review of Zangwill's The Melting Pot by Margaret Storm Jameson]
|
|
Storm Jameson, Margaret
|
date unknown
|
Text
|
[McPherson on Porgy and Bess]
|
|
|
|
Text
|
[McPherson on Theatre]
|
|
|
1936-06
|
Text
|
[Muriel Rukeyser to Ezra Pound]
|
|
Rukeyser, Muriel
|
1932-06-20
|
Text
|
[Reiniger's exhibition]
|
|
|
1936-03
|
Text
|
[Review Anna Karenina]
|
|
|
|
Text
|
[Review Campion]
|
|
|
1935-09
|
Text
|
[Review Coal Face]
|
|
|
|
Text
|
[Review Faulkner]
|
|
|
|
Text
|
[Review Housing Problems]
|
|
|
1935-12
|
Text
|
[Review McCleary]
|
|
|
|
Text
|
[Review on Roberts]
|
|
|
1935-12
|
Text
|
[Review on the film Rhodes of Africa]
|
|
|
1936-06
|
Text
|
[Review on the short-film Der Kleine Shornsteinfeger]
|
|
|
|
Text
|
[Review on Victoria of England, a novel by Edith Sitwell]
|
|
|
|
Image
|
[The Brendin Publishing Co. is happy to announce...]
|
|
|
|
Text
|
[The Negro Federal Theatre puts on Macbeth]
|
|
|
|
Image
|
[Time and Tide]
|
|
|
|
Text
|
A Brave and Beautiful Spirit: Dora Marsden. 1882-1960
|
|
|
|
Text
|
A Correspondence on the Young English Poets
|
|
Herring, Robert
|
1935-10
|
Text
|
A Correspondence on the Young English Poets
|
|
Herring, Robert
|
1935-11
|
Text
|
A Correspondence on the Young English Poets
|
|
Sitwell, Edith
|
1935-10
|
Text
|
A Correspondence on the Young English Poets
|
|
Sitwell, Edith
|
1935-11
|
Text
|
A Wider Interpretation Of Life
|
|
Herring, Robert
|
|
Text
|
A Wider Interpretation Of Life
|
|
Townshend, Petrie
|
|
Text
|
Analytical Treatise on the Dryer Film "The Passion of Joan of Arc" with appendix of a constructive critique
|
|
Gang, Christel
|
1930
|
Text
|
Analytical Treatise on the Dryer Film "The Passion of Joan of Arc" with appendix of a constructive critique
|
|
Klinger, Werner
|
1930
|
Image
|
Anita Pittoni indossa un abito di ispirazione futurista creato da Marcello Claris
|
|
|
date unknown
|
Text
|
Anita Pittoni, straccetti d'arte, stoffe di arredamento e moda d'eccezione
|
|
|
|
Image
|
Arlequine à la guitare
|
|
Laurencin, Marie
|
1920
|
Text
|
Art The Adversary Or The Need For A Revolution In Thinking
|
|
Herring, Robert
|
|
Text
|
As is
|
|
|
|
Image
|
Azalées Blanches
|
|
Brooks, Romaine
|
1910
|
Dataset
|
By Popular Demand
|
Votes for Women Suffrage Pictures, 1850-1920
|
Library of Congress
|
1998
|
Image
|
CataLOGUE RAISONNE DE L'OEUVRE GRAVE DE MARIE LAURENCIN
|
|
|
|
Text
|
CataLOGUE RAISONNE DE L'OEUVRE GRAVE DE MARIE LAURENCIN
|
|
|
|
Text
|
Cinema Eyes
|
|
Marson, Una
|
|
Text
|
Cinema Psychology
|
|
|
|
Text
|
Close Up's Regest 1927-1933
|
|
|
2002
|
Text
|
Contents [Life and Letters To-day, December 1935]
|
|
|
|
Text
|
Contents [Negro: an Anthology]
|
|
|
|
Text
|
Continuous Performance
|
|
|
|
Text
|
Continuous performance- A tear for Lycidas
|
|
|
|
Text
|
Continuous performance. Almost persuaded,
|
|
|
|
Text
|
Continuous performance. Dialogue in Dixie,
|
|
|
|
Text
|
Conversation with Cassou
|
|
|
|
Image
|
Costume per la danza di Anita
|
|
|
1929
|
Text
|
Defence of Hollywood
|
|
|
|
Image
|
Diane à la chasse
|
|
Laurencin, Marie
|
1908
|
Text
|
Dreams and Films
|
|
|
|
Text
|
Ejzenstejn in Hollywood
|
|
|
|
Text
|
English And American Language In Literature
|
|
Stein, Gertrude
|
|
Text
|
English Novels
|
|
|
|
Text
|
Epilogue to Spain
|
|
Mann, Thomas
|
|
Text
|
Evolution of Cinematography in France
|
|
Cavalcanti de Almeida, Alberto
|
1930
|
Image
|
Experimental cinema: ANNOUNCEMENT
|
|
painters
|
1930
|
Text
|
Film Direction and Film Manuscript - two parts
|
|
Gang, Christel
|
1928
|
Text
|
Film Direction and Film Manuscript - two parts
|
|
Pudovkin, Vsevolod
|
1928
|
Text
|
Film Problems of Soviet Russia
|
|
Bryher (Winifred Ellerman)
|
1929
|
Text
|
Film Problems of Soviet Russia
|
|
Potamkin, Harry A.
|
1930
|
Text
|
Film Problems of Soviet Russia
|
|
Potamkin, Harry A.
|
1930
|
Text
|
Film Psychology
|
|
|
|
Image
|
First cover experimental cinema.
|
|
painters
|
1930
|
Image
|
Fleurs et colombes. Etude pour un tapis
|
|
Laurencin, Marie
|
1935
|
Text
|
Focus and Mechanism
|
|
Platt, David
|
1930
|
Text
|
Freud on the Films
|
|
|
|
Image
|
Giuseppina Martinuzzi
|
|
|
date unknown
|
Image
|
Greed by Erich von Stroheim
|
|
|
1925
|
Text
|
Greta Garbo in Pabst's Joyless Street
|
|
|
|
Collection
|
Grete Stern, Sogno, n.42, 1949 cm 30x24, Collezione Jorge Helt, Buenos Aires
|
|
writers
|
1949
|
Image
|
H.D. (Hilda Doolittle)
|
|
|
1920
|
Collection
|
Hannah Höch, Tagliato con un coltello da cucina
|
|
writers
|
1919
|
Text
|
History And The World
|
|
|
|
Image
|
I summon you to comradeship in the Red Cross - Woodrow Wilson
|
|
unidentified
|
1918
|
Image
|
Ida Rubinstein
|
|
Brooks, Romaine
|
1917
|
Text
|
Images in Lake-water
|
|
|
|
Text
|
In Eisenstein's Domain
|
|
Gang, Christel
|
1930
|
Text
|
In Eisenstein's Domain
|
|
Honig, Erwin
|
1930
|
Text
|
India: A Contemporary Perspective
|
|
|
|
Text
|
Intellectual Repression In India
|
|
|
|
Text
|
Introduzione alla cultura visuale
|
|
writers
|
1999
|
Image
|
Jean Royère
|
|
Laurencin, Marie
|
1908
|
Image
|
Joyless Street
|
|
|
|
Text
|
Käthe Kollwitz
|
|
Rukeyser, Muriel
|
date unknown
|
Text
|
Kitsch
|
|
|
|
Text
|
Kunst und Literatur: Käthe Kollwitz
|
|
|
|
Image
|
La femme-cheval 'Mon portrait en peintre avec une main qui tient le pinceau'
|
|
Laurencin, Marie
|
1918
|
Image
|
La vie au chateau
|
|
Laurencin, Marie
|
1925
|
Image
|
Le bal élégant ou La danse à la campagne
|
|
Laurencin, Marie
|
1913
|
Image
|
Le cheval noir ou La promenade
|
|
Laurencin, Marie
|
1924
|
Image
|
Le Trajet
|
|
Brooks, Romaine
|
1911
|
Text
|
Les Marges
|
|
|
|
Image
|
Les acrobates ou Femmes de cirque
|
|
Laurencin, Marie
|
1927
|
Image
|
Les deux soeurs au violoncelle
|
|
Laurencin, Marie
|
1913
|
Image
|
Les trois grâces
|
|
Laurencin, Marie
|
1921
|
Text
|
Literary Women: The Great Writers
|
|
|
1977
|
Image
|
Madame André Groult, neé Nicole Poiret
|
|
Laurencin, Marie
|
1913
|
Text
|
Marianna - remarques et reflections recueillies et préfacées par Albert Flament
|
|
Laurencin, Marie
|
1932
|
Text
|
Marie Laurencin - Catalogue Raisonne De L'Oeuvre Grave
|
|
Marchesseau, Daniel
|
1986
|
Text
|
Marie Laurencin: A Famous Exponent of Femininity
|
|
Lowe, Jeanette
|
1937
|
Text
|
Measure And Value
|
|
Mann, Thomas
|
|
Text
|
Men and Monuments: Profiles of Picasso, Matisse, Braque, and Malraux
|
|
Flanner, Janet
|
1947
|
Image
|
Militants
|
|
|
|
Text
|
Modern Witch-Trials
|
|
|
|
Image
|
Nils von Dardel
|
|
Laurencin, Marie
|
1913
|
Text
|
No pleasant memories
|
|
Brooks, Romaine
|
date unknown
|
Text
|
Orchids
|
|
Herring, Robert
|
|
Image
|
Pablo Picasso. Etude pour 'Picasso et ses amis' ou 'Réunion à la Campagne'
|
|
Laurencin, Marie
|
1909
|
Text
|
Pabst and Psychoanalysis
|
|
|
|
Image
|
Peter, A Young English Girl
|
|
Brooks, Romaine
|
1923
|
Text
|
Poems & Poemes: autres alliances
|
|
Barney, Natalie Clifford
|
1920
|
Text
|
Poets' Corner
|
|
|
|
Image
|
Portrait de Germaine Dulac - GD 4429
|
|
unidentified
|
unknown
|
Image
|
Portrait de Germaine Dulac - GD 4430
|
|
unidentified
|
1929
|
Image
|
Portrait of Carl Van Vechten
|
|
|
1936-04-26
|
Image
|
Portrait of Emma Goldman
|
|
|
1934
|
Image
|
Portrait of Leonor Fini
|
|
|
1936
|
Image
|
Portrait of Leonor Fini [2]
|
|
|
1936
|
Image
|
Portrait of Leonor Fini [3]
|
|
|
1936
|
Image
|
Portrait of Milena Pavlovic Barilli
|
|
|
1940-05-10
|
Image
|
Portrait of Milena Pavlovic Barilli 2
|
|
|
1940-05-10
|
Text
|
Preface
|
|
Gide, André
|
|
Text
|
Principle of the New World Cinema
|
|
Stern,Seymour
|
1930
|
Text
|
Projector
|
|
|
|
Text
|
Published in Paris: A Literary Chronicle of Paris in the 1920s and 1930s
|
|
|
1975
|
Text
|
Remarks on Some Young American Poets
|
|
|
|
Image
|
Réunion à la campagne
|
|
Laurencin, Marie
|
1909
|
Text
|
Romaine Brooks - Thief of Souls
|
|
Breeskin, Adelyn Dohme
|
1986
|
Image
|
Rue Masseran
|
|
unidentified
|
1950
|
Image
|
Satie e Cocteau
|
|
|
1914?
|
Text
|
Some Modern American Poets
|
|
Bryher (Winifred Ellerman)
|
|
Text
|
Spain And Culture
|
|
Mann, Heinrich
|
|
Text
|
Thanksgiving
|
|
Marson, Una
|
1931
|
Text
|
The Amazon of Letters-157-158
|
|
Berenson, Bernard
|
1917-18
|
Text
|
The Amazon of Letters-162
|
|
Barney, Natalie Clifford
|
1923
|
Text
|
The Amazon of Letters-165-166
|
|
Barney, Natalie Clifford
|
1926
|
Text
|
The American Rhythm
|
|
Austin, Mary
|
|
Text
|
The Arts - Marie Laurencin
|
|
Buffet, Gabrielle
|
1923
|
Text
|
The Best Years of One's Life
|
|
Bryher (Winifred Ellerman)
|
|
Text
|
The cinema and the classics I Beauty
|
|
|
|
Text
|
The cinema and the classics II. Restraint
|
|
|
|
Text
|
The cinema and the classics III.The mask and the movietone,
|
|
|
|
Text
|
The Crisis: September
|
|
|
|
Text
|
The Defence of Culture
|
|
Gide, André
|
|
Text
|
The Elfin Maidens of Marie Laurencin
|
|
unidentified
|
1937
|
Text
|
The Film in Its Relation to the Unconscious
|
|
|
|
Image
|
The General by Buster Keaton
|
|
|
1927
|
Image
|
The Haunted House
|
|
unidentified
|
1913
|
Text
|
The Hollywood code
|
|
|
|
Text
|
The Hollywood Code I and II
|
|
|
|
Text
|
The Little Review Anthology
|
|
Anderson, Margaret C.
|
|
Text
|
The Modern Spirit in Films
|
Motion: The Medium of the Movie
|
Braver-Mann, Barnet G.
|
1930
|
Text
|
The New Cinema
|
|
Jacobs, Lewis
|
1930
|
Text
|
The New Cinema
|
|
Platt, David
|
1930
|
Text
|
The new cinema
|
|
Platt, David
|
1930
|
Text
|
The New Freewoman Thousand Club
|
|
|
|
Text
|
The One Who Is Legion
|
|
Barney, Natalie Clifford
|
1930
|
Text
|
The Spectacle of Women: Imagery of the Suffrage Campaign, 1907-1914
|
|
|
1988
|
Text
|
The Word
|
|
|
|
Image
|
Theatre
|
|
Fini, Leonor
|
date unknown
|
Text
|
Theatre
|
|
|
1935-09
|
Text
|
They Speak For Themselves. Mass Observation And Social Narrative
|
|
|
|
Text
|
Three In One - An Editorial
|
|
Herring, Robert
|
|
Text
|
Titolo originale Le photographique, 1990, ed. Macula, Paris
|
|
writers
|
1996
|
Text
|
Toussaint Louverture
|
|
|
|
Image
|
Trois jeunes filles et chevaux
|
|
Laurencin, Marie
|
1925
|
Text
|
Ueber das Geistige in der Kunst
|
|
|
1911
|
Text
|
Westfront 1918
|
|
|
|
Text
|
Women seeing women, A pictorial History of Women’s Photography, from Julia Margaret Cameron to Inez van Lamsveerde
|
|
Cameroon
|
2002
|
Party/Organization
|
Women’s Social and Political Union
|
|
unidentified
|
2001
|