|
ID: 9821 - Paola Zaccaria - Bari
Type: Text | |
| Format: |
| Medium: Book | Extent: |
Identifier:
Source: Introduzione al testo di Rosalind Krauss, Teoria e Storia della Fotografia, Bruno Mondadori, 1996, pg. IX |
| Title: Titolo originale Le photographique, 1990, ed. Macula, Paris | Subtitle: |
| Alternative: |
Agents:
Creator: writers |
| Role: Author | Name: writers |
| Created: 1996 |
| Date: | in/on: 2004-10-20 |
| Language: Italian | |
| Rights: |
| Relation: IsPartOf | Qualifier: book |
| Coverage: |
| Place: | Time: |
| Description: |
| Subjects: Arti/Facts | Keywords: Modernism | Query Subject+Keyword: (Arti/Facts, Modernism) |
| Comment: The main criticism towards Greenbergh’s Modernism questions the autonomy and the priviledges ascribed to the field of the visual, eye and visuality as well. This means the pretentious division from the other sense organs, as well as the other cognitive faculties and the connection with imagination. |
| | |
| |